Rhythm plays an important role in language perception and learning, with infants perceiving rhythmic differences across languages at birth. While the mechanisms underlying rhythm perception in speech remain unclear, one interesting possibility is that these mechanisms are similar to those involved in the perception of musical rhythm. In this work, we adopt a model originally designed for musical rhythm to simulate speech rhythm perception. We show that this model replicates the behavioral results of language discrimination in newborns, and outperforms an existing model of infant language discrimination. We also find that percussives — fast-changing components in the acoustics — are necessary for distinguishing languages of different rhythms, which suggests that percussives are essential for rhythm perception. Our music-inspired model of speech rhythm may be seen as a first step towards a unified theory of how rhythm is represented in speech and music.
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Feeling the Beat in an African Tone Language: Rhythmic Mapping Between Language and Music
Text-setting patterns in music have served as a key data source in the development of theories of prosody and rhythm in stress-based languages, but have been explored less from a rhythmic perspective in the realm of tone languages. African tone languages have been especially under-studied in terms of rhythmic patterns in text-setting, likely in large part due to the ill-understood status of metrical structure and prosodic prominence asymmetries in many of these languages. Here, we explore how language is mapped to rhythmic structure in traditional folksongs sung in Medʉmba, a Grassfields Bantu language spoken in Cameroon. We show that, despite complex and varying rhythmic structures within and across songs, correspondences emerge between musical rhythm and linguistic structure at the level of stem position, tone, and prosodic structure. Our results reinforce the notion that metrical prominence asymmetries are present in African tone languages, and that they play an important coordinative role in music and movement.
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- Award ID(s):
- 2018003
- PAR ID:
- 10293021
- Editor(s):
- McPherson, Laura; Winter, Yoad
- Date Published:
- Journal Name:
- Frontiers in communication
- ISSN:
- 2297-900X
- Format(s):
- Medium: X
- Sponsoring Org:
- National Science Foundation
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