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Crystallized intelligence (Gc)—knowledge acquired through education and experience—supports creativity. Yet whether Gc contributes to creativity beyond providing access to more knowledge, remains unclear. We explore the role of a “flexible” semantic memory network structure as a potential shared mechanism of Gc and creativity. Across two studies (N = 506 and N = 161) participants completed Gc tests of vocabulary knowledge and were divided into low, medium, and high Gc groups. They also completed two alternate uses tasks, to assess verbal creativity, and a semantic fluency task, to estimate semantic memory networks. Across both studies, the semantic memory network structure of the high Gc group was more flexible—less structured, more clustered, and more interconnected—than that of the low Gc group. The high Gc group also outperformed the low Gc group on the creativity tasks. Our results suggest that flexible access to semantic memory supports both verbal intelligence and creativity. 

Transcranial direct current stimulation (tDCS) over the dorsolateral prefrontal cortex (DLPFC) has been shown to enhance divergent and convergent creative thinking. Yet, how stimulation impacts creative performance over time, and what cognitive mechanisms underlie any such enhancement, remain largely unanswered questions. In the present research, we aimed to (1) verify the impact of DLPFC tDCS on both convergent and divergent thinking, and further investigated (2) the temporal dynamics of divergent thinking, focusing on the serial order effect (i.e., the tendency for ideas to become more original and less frequent over time), and (3) any role that cognitive inhibition may play in mediating any effect of stimulation on creative thinking (considering the DLPFC’s involvement in driving inhibitory processes that are also relevant for creative thinking). In a within-subjects design, twenty-six participants received three types of cross-hemispheric tDCS stimulation over the DLPFC (left cathodal and right anodal, L-R+; left anodal and right cathodal, L+R-; and sham). Before stimulation, they completed a pre-flanker task measuring cognitive inhibition; during stimulation, they completed the Alternate Uses Task (AUT), Remote Associates Test (RAT), and post-flanker task. Results showed that, compared with the sham stimulation, originality of responses in the AUT was significantly enhanced in the L+R- condition, while no tDCS effect was observed for the RAT. Additionally, compared with the other stimulation conditions, we found a diminished serial order effect in the L+R- condition characterized by an accelerated production of more original ideas. Critically, the L+R- condition was accompanied by better performance on the flanker task. Our findings thus verify that L+R- tDCS over the DLPFC accelerates idea originality also providing tentative clues that inhibition may act as a cognitive mechanism underlying enhancements in divergent thinking resulting from frontal lobe neuromodulation. 

Metaphors are a common way to express creative language, yet the cognitive basis of figurative language production remains poorly understood. Previous studies found that higher creative individuals can better comprehend novel metaphors, potentially due to a more flexible semantic memory network structure conducive to remote conceptual combination. The present study extends this domain to creative metaphor production and examined whether the ability to produce creative metaphors is related to variation in the structure of semantic memory. Participants completed a creative metaphor production task and two verbal fluency tasks. They were divided into two equal groups based on their creative metaphor production score. The semantic networks of these two groups were estimated and analyzed based on their verbal fluency responses using a computational network science approach. Results revealed that the semantic networks of high-metaphor producing individuals were more flexible, clustered, and less rigid than that of the low-metaphor producing individuals. Importantly, these results replicated across both semantic categories. The findings provide the first evidence that a flexible, clustered, and less rigid semantic memory structure relates to people’s ability to produce figurative language, extending the growing literature on the role of semantic networks in creativity to the domain of metaphor production.