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Free, publicly-accessible full text available October 22, 2026
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Free, publicly-accessible full text available October 22, 2026
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Free, publicly-accessible full text available April 28, 2026
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This paper explores a multimodal approach for translating emotional cues present in speech, designed with Deaf and Hard-of-Hearing (dhh) individuals in mind. Prior work has focused on visual cues applied to captions, successfully conveying whether a speaker’s words have a negative or positive tone (valence), but with mixed results regarding the intensity (arousal) of these emotions. We propose a novel method using haptic feedback to communicate a speaker’s arousal levels through vibrations on a wrist-worn device. In a formative study with 16 dhh participants, we tested six haptic patterns and found that participants preferred single per-word vibrations at 75 Hz to encode arousal. In a follow-up study with 27 dhh participants, this pattern was paired with visual cues, and narrative engagement with audio-visual content was measured. Results indicate that combining haptics with visuals significantly increased engagement compared to a conventional captioning baseline and a visuals-only affective captioning style.more » « lessFree, publicly-accessible full text available April 25, 2026
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Analyzing dance moves and routines is a foundational step in learning dance. Videos are often utilized at this step, and advancements in machine learning, particularly in human-movement recognition, could further assist dance learners. We developed and evaluated a Wizard-of-Oz prototype of a video comprehension tool that offers automatic in-situ dance move identification functionality. Our system design was informed by an interview study involving 12 dancers to understand the challenges they face when trying to comprehend complex dance videos and taking notes. Subsequently, we conducted a within-subject study with 8 Cuban salsa dancers to identify the benefits of our system compared to an existing traditional feature-based search system. We found that the quality of notes taken by participants improved when using our tool, and they reported a lower workload. Based on participants’ interactions with our system, we offer recommendations on how an AI-powered span-search feature can enhance dance video comprehension tools.more » « less
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Affective captions employ visual typographic modulations to convey a speaker’s emotions, improving speech accessibility for Deaf and Hard-of-Hearing (dhh) individuals. However, the most effective visual modulations for expressing emotions remain uncertain. Bridging this gap, we ran three studies with 39 dhh participants, exploring the design space of affective captions, which include parameters like text color, boldness, size, and so on. Study 1 assessed preferences for nine of these styles, each conveying either valence or arousal separately. Study 2 combined Study 1’s top-performing styles and measured preferences for captions depicting both valence and arousal simultaneously. Participants outlined readability, minimal distraction, intuitiveness, and emotional clarity as key factors behind their choices. In Study 3, these factors and an emotion-recognition task were used to compare how Study 2’s winning styles performed versus a non-styled baseline. Based on our findings, we present the two best-performing styles as design recommendations for applications employing affective captions.more » « less
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Caption text conveys salient auditory information to deaf or hard-of-hearing (DHH) viewers. However, the emotional information within the speech is not captured. We developed three emotive captioning schemas that map the output of audio-based emotion detection models to expressive caption text that can convey underlying emotions. The three schemas used typographic changes to the text, color changes, or both. Next, we designed a Unity framework to implement these schemas and used it to generate stimuli videos. In an experimental evaluation with 28 DHH viewers, we compared DHH viewers’ ability to understand emotions and their subjective judgments across the three captioning schemas. We found no significant difference in participants’ ability to understand the emotion based on the captions or their subjective preference ratings. Open-ended feedback revealed factors contributing to individual differences in preferences among the participants and challenges with automatically generated emotive captions that motivate future work.more » « less
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