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Recent advancements in photography hardware and software, such as the GIGAmacro Photography System, allow collections workers to capture thousands of high-resolution, wide focal-depth photographs a day with minimal manual effort. The front-end work of camera setup is the most time-consuming task, with the bulk time spent specifying where in the tray the camera should photograph. The GIGAmacro software package does not include a tool to reduce or help automate this setup, so we developed our own. The tool we designed is an intuitive user interface that is linked to scripted processes to semi-automate the setup process. On average, this tool has decreased our camera setup time by 98.5%. The development process involved a feedback loop of gathering comments and suggestions, implementing features, and testing with different end-users. The resulting auto-assist tool is designed to be accessible for workers with varying levels of experience and is wholly contained in one Excel document for portable use. We chose to develop our camera setup tool in Excel due to broad user familiarity and presence of necessary supporting components. Both advantages greatly shortened development time. Additionally, Excel allowed us to change measurement or calculation numbers for the camera on the fly without having tomore »
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Natural history collections are often considered remote and inaccessible without special permission from curators. Digitization of these collections can make them much more accessible to researchers, educators, and general enthusiasts alike, thereby removing the stigma of a lonely specimen on a dusty shelf in the back room of a museum that will never again see the light of day. We are in the process of digitizing the microfossils of the Indiana University Paleontology collection using the GIGAmacro Magnify2 Robotic Imaging System. This suite of software and hardware allows us to automate photography and post-production of high resolution images, thereby severely reducing the amount of time and labor needed to serve the data. Our hardware includes a Canon T6i 24 megapixel DSLR, a Canon MPE 65mm 1X to 5X lens, and a Canon MT26EX Dual Flash, all mounted on a lead system made with high performance precision IGUS Drylin anodized aluminum. The camera and its mount move over the tray of microfossil slides using bearings and rails. The software includes the GIGAmacro Capture Software (photography), GIGAmacro Viewer Software (display and annotation), Zerene Stacker (focus stacking), and Autopano GIGA (stitching). All of the metadata is kept in association with the images, uploadedmore »
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Collections digitization relies increasingly upon computational and data management resources that occasionally exceed the capacity of natural history collections and their managers and curators. Digitization of many tens of thousands of micropaleontological specimen slides, as evidenced by the effort presented here by the Indiana University Paleontology Collection, has been a concerted effort in adherence to the recommended practices of multifaceted aspects of collections management for both physical and digital collections resources. This presentation highlights the contributions of distributed cyberinfrastructure from the National Science Foundation-supported Extreme Science and Engineering Discovery Environment (XSEDE) for web-hosting of collections management system resources and distributed processing of millions of digital images and metadata records of specimens from our collections. The Indiana University Center for Biological Research Collections is currently hosting its instance of the Specify collections management system (CMS) on a virtual server hosted on Jetstream, the cloud service for on-demand computational resources as provisioned by XSEDE. This web-service allows the CMS to be flexibly hosted on the cloud with additional services that can be provisioned on an as-needed basis for generating and integrating digitized collections objects in both web-friendly and digital preservation contexts. On-demand computing resources can be used for the manipulation of digitalmore »