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Language learners often transfer the sounds and prosody of their native language into their second language, but this influence can also flow in the opposite direction, with the second language influencing the first. Among other variables, language proficiency is known to affect the degree and directionality of cross-linguistic influence. However, little is known about how second language learning affects listeners’ perception of their native language. To begin addressing this gap, we examined the relationship between learners’ second language proficiency and their category goodness ratings in their native language. Thirty-nine English-speaking learners of Spanish listened to English words that began with voiced and voiceless stop consonants and were asked to rate how well the word represented the intended word on a 5-point scale. To create a voicing continuum, we manipulated the voice onset time of the word-initial stop in each target item from 125 ms of prevoicing to 100 ms of aspiration, in 25 ms steps. Proficiency did not affect the perception of voiced targets, but both proficiency and L2 stop production affected the perception of voiceless targets. 

Most current theories and models of second language speech perception are grounded in the notion that learners acquire speech sound categories in their target language. In this paper, this classic idea in speech perception is revisited, given that clear evidence for formation of such categories is lacking in previous research. To understand the debate on the nature of speech sound representations in a second language, an operational definition of “category” is presented, and the issues of categorical perception and current theories of second language learning are reviewed. Following this, behavioral and neuroimaging evidence for and against acquisition of categorical representations is described. Finally, recommendations for future work are discussed. The paper concludes with a recommendation for integration of behavioral and neuroimaging work and theory in this area.

 

Abstract One of the basic goals of second language (L2) speech research is to understand the perception-production link, or the relationship between L2 speech perception and L2 speech production. Although many studies have examined the link, they have done so with strikingly different conceptual foci and methods. Even studies that appear to use similar perception and production tasks often present nontrivial differences in task characteristics and implementation. This conceptual and methodological variation makes meaningful synthesis of perception-production findings difficult, and it also complicates the process of developing new perception-production models that specifically address how the link changes throughout L2 learning. In this study, we scrutinize theoretical and methodological issues in perception-production research and offer recommendations for advancing theory and practice in this domain. We focus on L2 sound learning because most work in the area has focused on segmental contrasts.