According to the Association of African American Museums (AAAM), there are more than 200 African American history and cultural museums—or other sites with substantial African American collections such as libraries and archives—across the U.S. Many of these museums had their start shortly after the height of the Civil Rights Movement, with a surge in establishments in the 1970s. Black museums serve to decenter White stories of America and refocus on Black experiences. While geographers have studied an array of memory, heritage, and tourism sites, museums remain understudied and under-theorized. Building upon the subfields of Museum geographies—particularly by considering the concept of museums as theatres of pain—and Black geographies, our research examines the ways these museums are integral to the relationships between Black placemaking and the tourism landscape, which remains steeped in anti-Black racism. Using museum exhibit documentation, semi-structured interviews of museum staff, and content analysis of online travel reviews (primarily TripAdvisor and Google Reviews), this paper analyzes two case studies: The National Afro-American Museum and Cultural Center in Wilberforce, Ohio, and The Colored Girls Museum in Philadelphia, Pennsylvania. Through our two case studies, we show how Black museums enact curatorial practices of commemorative geographies and create redemptive spaces that cultivate not only a homeplace for visitors, particularly for Black Americans and people of the African diaspora but also serve as sites of belonging and joy.
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The mapping behind the movement: On recovering the critical cartographies of the African American Freedom Struggle
Responding to recent work in critical cartographic studies and Black Geographies, the purpose of this paper is to offer a conceptual framework and a set of evocative cartographic engagements that can inform geography as it recovers the seldom discussed history of counter-mapping within the African American Freedom Struggle. Black resistant cartographies stretch what constitutes a map, the political work performed by maps, and the practices, spaces, and political-affective dimensions of mapping. We offer an extended illustration of the conventional and unconventional mapping behind USA anti-lynching campaigns of the late 19th and early 20th centuries, high-lighting the knowledge production practices of the NAACP and the Tuskegee Institute’s Monroe Work, and the embodied counter-mapping of journalist/activist Ida B. Wells. Recognizing that civil rights struggles are long, always unfolding, and relationally tied over time and space, we link this look from the past to contemporary, ongoing resistant cartographical practices as scholars/activists continue to challenge racialized violence and advance transitional justice, including the noted memory-work of the Equal Justice Initiative. An understanding of African American traditions of counter-mapping is about more than simply inserting the Black experience into our dominant ideas about cartography or even resistant mapping. Black geographies has much to teach cartography and geographers about what people of color engaged in antiracist struggles define as geographic knowledge and mapping practices on their own terms.
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- Award ID(s):
- 1660274
- PAR ID:
- 10213684
- Date Published:
- Journal Name:
- Geoforum
- ISSN:
- 0016-7185
- Format(s):
- Medium: X
- Sponsoring Org:
- National Science Foundation
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