An official website of the United States government
This article argues that the capacity of music to reliably cue both autobiographical memories and fictional imaginings can be leveraged to better understand the relationship and interdependence between memory and imagination more generally. The multiple levels involved in musical engagement provide a rich forum for investigating how emotional, semantic, and contextual associations with musical cues influence both memories and imaginings. Moreover, musical excerpts are extended in time and can influence the trajectory of a memory or imagining dynamically as it develops, allowing for a more precise manipulation of the implied semantic space. Because music’s uses and contextual associations are culturally constrained, and culture can be shared, autobiographical memories and fictional imaginings cued by music can show surprising similarities among individuals from the same culture. This article surveys the research on music-evoked autobiographical memories and music-evoked fictional imaginings, proposing a framework for bringing these separate strands of work together to shed light on larger questions about shared underlying mechanisms.
more »
« less
Creativity and tradition: Music and bifocal stance theory
Abstract We argue that music can serve as a time-sensitive lens into the interplay between instrumental and ritual stances in cultural evolution. Over various timescales, music can switch between pursuing an end goal or not, and between presenting a causal opacity that is resolvable, or not. With these fluctuations come changes in the motivational structures that drive innovation versus copying.
more »
« less
- Award ID(s):
- 1945436
- PAR ID:
- 10408581
- Date Published:
- Journal Name:
- Behavioral and Brain Sciences
- Volume:
- 45
- ISSN:
- 0140-525X
- Format(s):
- Medium: X
- Sponsoring Org:
- National Science Foundation
More Like this
-
-
This paper explores the feasibility of using sonification in delivering and communicating health and wellness status on personal devices. Ambient displays have proven to inform users of their health and wellness and help them to make healthier decisions, yet, little technology provides health assessments through sounds, which can be even more pervasive than visual displays. We developed a method to generate music from user preferences and evaluated it in a two-step user study. In the first step, we acquired general healthiness impressions from each user. In the second step, we generated customized melodies from music preferences in the first step to capture participants' perceived healthiness of those melodies. We deployed our surveys for 55 participants to complete on their own over 31 days. We analyzed the data to understand commonalities and differences in users' perceptions of music as an expression of health. Our findings show the existence of clear associations between perceived healthiness and different music features. We provide useful insights into how different musical features impact the perceived healthiness of music, how perceptions of healthiness vary between users, what trends exist between users' impressions, and what influences (or does not influence) a user's perception of healthiness in a melody. Overall, our results indicate validity in presenting health data through personalized music models. The findings can inform the design of behavior management applications on personal and ubiquitous devices.more » « less
-
Vukadinovic, Maja (Ed.)Groove, or the pleasurable urge to move to music, offers unique insight into the relationship between emotion and action. The predictive coding of music model posits that groove is linked to predictions of music formed over time, with stimuli of moderate complexity rated as most pleasurable and likely to engender movement. At the same time, listeners vary in the pleasure they derive from music listening: individuals with musical anhedonia report reduced pleasure during music listening despite no impairments in music perception and no general anhedonia. Little is known about musical anhedonics’ subjective experience of groove. Here we examined the relationship between groove and music reward sensitivity. Participants (n = 287) heard drum-breaks that varied in perceived complexity, and rated each for pleasure and wanting to move. Musical anhedonics (n = 13) had significantly lower ratings compared to controls (n = 13) matched on music perception abilities and general anhedonia. However, both groups demonstrated the classic inverted-U relationship between ratings of pleasure & move and stimulus complexity, with ratings peaking for intermediately complex stimuli. Across our entire sample, pleasure ratings were most strongly related with music reward sensitivity for highly complex stimuli (i.e., there was an interaction between music reward sensitivity and stimulus complexity). Finally, the sensorimotor subscale of music reward was uniquely associated with move, but not pleasure, ratings above and beyond the five other dimensions of musical reward. Results highlight the multidimensional nature of reward sensitivity and suggest that pleasure and wanting to move are driven by overlapping but separable mechanisms.more » « less
-
Music and speech are encountered daily and are unique to human beings. Both are transformed by the auditory pathway from an initial acoustical encoding to higher level cognition. Studies of cortex have revealed distinct brain responses to music and speech, but differences may emerge in the cortex or may be inherited from different subcortical encoding. In the first part of this study, we derived the human auditory brainstem response (ABR), a measure of subcortical encoding, to recorded music and speech using two analysis methods. The first method, described previously and acoustically based, yielded very different ABRs between the two sound classes. The second method, however, developed here and based on a physiological model of the auditory periphery, gave highly correlated responses to music and speech. We determined the superiority of the second method through several metrics, suggesting there is no appreciable impact of stimulus class (i.e., music vs speech) on the way stimulus acoustics are encoded subcortically. In this study’s second part, we considered the cortex. Our new analysis method resulted in cortical music and speech responses becoming more similar but with remaining differences. The subcortical and cortical results taken together suggest that there is evidence for stimulus-class dependent processing of music and speech at the cortical but not subcortical level.more » « less
-
There are many benefits for a community when there is a vibrant local music scene (e.g., increased mental & physical well-being, increased economic activity) and there are many factors that contribute to an environment in which a live music scene can thrive (e.g., available performance spaces, helpful government policies). In this paper, we explore using an estimate of the live music event rate (LMER) as a rough indicator to measure the strength of a local music scene. We define LMER as the number of music shows per 100,000 people per year and then explore how this indicator is (or is not) correlated with 28 other socioeconomic indicators. To do this, we analyze a set of 308,051 music events from 2019 across 1,139 cities in the United States. Our findings reveal that factors related to transportation (e.g., high walkability), population (high density), economics (high employment rate), age (high proportion of individuals age 20-29), and education (bachelor's degree or higher) are strongly correlated with having a high number of live music events. Conversely, we did not find statistically significant evidence that other indica- tors (e.g., racial diversity) are correlated.more » « less
- Free Publicly Accessible Full Text
-
Accepted Manuscript1.0
- Journal Article:
- https://doi.org/10.1017/s0140525x22001212
