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Creators/Authors contains: "Feizi, S"

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  1. AI-generated images have become pervasive, raising critical concerns around content authenticity, intellectual property, and the spread of misinformation. Invisible watermarks offer a promising solution for identifying AI-generated images, preserving content provenance without degrading visual quality. However, their real-world robustness remains uncertain due to the lack of standardized evaluation protocols and large-scale stress testing. To bridge this gap, we organized “Erasing the Invisible,” a NeurIPS 2024 competition and newly established benchmark designed to systematically stress testing the resilience of watermarking techniques. The competition introduced two attack tracks—Black-box and Beige-box—that simulate practical scenarios with varying levels of attacker knowledge on watermarks, providing a comprehensive assessment of watermark robustness. The competition attracted significant global participation, with 2,722 submissions from 298 teams. Through a rigorous evaluation pipeline featuring real-time feedback and human-verified final rankings, participants developed and demonstrated new attack strategies that revealed critical vulnerabilities in state-of-the-art watermarking methods. On average, the top-5 teams in both tracks could remove watermarks from $$\geq$$ 89% of the images while preserving high visual quality, setting strong baselines for future research on watermark attacks and defenses. To support continued progress in this field, we summarize the insights and lessons learned from this competition in this paper, and release the benchmark dataset, evaluation toolkit, and competition results. “Erasing the Invisible” establishes a valuable open resource for advancing more robust watermarking techniques and strengthening content provenance in the era of generative AI. 
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  2. We employ an inversion-based approach to examine CLIP models. Our examination reveals that inverting CLIP models results in the generation of images that exhibit semantic alignment with the specified target prompts. We leverage these inverted images to gain insights into various aspects of CLIP models, such as their ability to blend concepts and inclusion of gender biases. We notably observe instances of NSFW (Not Safe For Work) images during model inversion. This phenomenon occurs even for semantically innocuous prompts, like "a beautiful landscape," as well as for prompts involving the names of celebrities. 
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